From the basement, she examines
her wounds; an old shoe, damp
unread books, the odor of memory
clings to her ribs. She's forgotten
if the moon always hung from
a cord, swings back and forth
when feet upstairs bang
on the boards, or if thunder
leaves cracks in the ceiling,
walls of her heart. She prepares
a letter to her lover, on a bed
she traces with two fingers
words about darkness, heavy
and stilled. Notes of a girl
whose eyes fell out dreaming,
of bones shaken, yet gleaming
swimming through night
like an empty shell; a space
she's saved for believing
surprisingly filled.
5/12/2007
The Door
Sound of the door
closing, dividing
two spaces-
what is outside,
living, what is inside
deciding
which prayer
to recite
for the dead.
From heaven,
a fireline splits
what is clean
and forgiving
from the worried,
forgotten
describing
the difference
between skyand air.
We must survive
to the end
of surviving
and there,
in this intimate
room, this sanctioned
religion of building
a gate or a fjord,
despite our long
held resistance-
with violence
breaks open
our doors.
closing, dividing
two spaces-
what is outside,
living, what is inside
deciding
which prayer
to recite
for the dead.
From heaven,
a fireline splits
what is clean
and forgiving
from the worried,
forgotten
describing
the difference
between skyand air.
We must survive
to the end
of surviving
and there,
in this intimate
room, this sanctioned
religion of building
a gate or a fjord,
despite our long
held resistance-
with violence
breaks open
our doors.
HourGlass
My time is called
borrowed. When
the children play
with sticks and rocks
and the sound of
their voices move
through evening like
glass through honey-
my time is sweetened.
The accurate shine
of light as it falls
in columns not unlike
a castle, the hours
when air becomes
ghostly, glowing buildings
becomes a sure time
to kneel, to pray.
How much time
does heart pump
through its veins? What
sand-filled hourglass
thins when turned
again, then again
and again- the endless
sifting down.
borrowed. When
the children play
with sticks and rocks
and the sound of
their voices move
through evening like
glass through honey-
my time is sweetened.
The accurate shine
of light as it falls
in columns not unlike
a castle, the hours
when air becomes
ghostly, glowing buildings
becomes a sure time
to kneel, to pray.
How much time
does heart pump
through its veins? What
sand-filled hourglass
thins when turned
again, then again
and again- the endless
sifting down.
Mother Land
Her body is a cave,
the shape of a nation.
In all the dark spaces,
she has many wombs,
many children. When
they wander out of
her mouth and return
she recognizes them
by the the light
on their skin, like
the stars she fed
them, like snow
she taught them how
to glisten in a storm.
If not for heaven,
mother, why would we
ever leave you?
the shape of a nation.
In all the dark spaces,
she has many wombs,
many children. When
they wander out of
her mouth and return
she recognizes them
by the the light
on their skin, like
the stars she fed
them, like snow
she taught them how
to glisten in a storm.
If not for heaven,
mother, why would we
ever leave you?
4/30/2007
Fir Tree
If you could speak
I'm sure you would
with your old
tongueless voice
what trees think
of endless nights
as the houselights dim
and dark, huddled shadows
of a dog and a man
walk beneath you
without knowing you
when you know them.
About spiders living
on your skin, sparrows
tucked in your arms
in cold, biting wind,
then fly from the tips
of your fingers to sky.
How the moon, just above
your limited reach sings
to your cavernous ears
reminding you clearly
you're small, waiting
under a mammoth of stars,
your nameless waiting,
your anonymous waiting
with your all-seeing eye.
I'm sure you would
with your old
tongueless voice
what trees think
of endless nights
as the houselights dim
and dark, huddled shadows
of a dog and a man
walk beneath you
without knowing you
when you know them.
About spiders living
on your skin, sparrows
tucked in your arms
in cold, biting wind,
then fly from the tips
of your fingers to sky.
How the moon, just above
your limited reach sings
to your cavernous ears
reminding you clearly
you're small, waiting
under a mammoth of stars,
your nameless waiting,
your anonymous waiting
with your all-seeing eye.
The Cup
Holding the cup's handle
tightly, it's rim never touching
bottom but ours will.
That afternoon, a cup-full
of milk spilled on the porch,
like a linen sheet wrinkled
over a sleeping, invisible
body, the heat sucking
thick liquid into laced threads.
I thought of you, how
you cover me, an accident
drying on wood, the smell
of cream souring in sun
or on skin and imagine
the moment we landed
from cup to floor,
the handle broken,
the finger bleeding,
the loss of stability,
the beauty of freedom
when the cup fell.
tightly, it's rim never touching
bottom but ours will.
That afternoon, a cup-full
of milk spilled on the porch,
like a linen sheet wrinkled
over a sleeping, invisible
body, the heat sucking
thick liquid into laced threads.
I thought of you, how
you cover me, an accident
drying on wood, the smell
of cream souring in sun
or on skin and imagine
the moment we landed
from cup to floor,
the handle broken,
the finger bleeding,
the loss of stability,
the beauty of freedom
when the cup fell.
Blue Coffin
I see blossom where
you see error. Tell me,
what damage is worth
a flower? The blue-mouthed
iris speaks a broken
language, lives a random
life, a squatter's religion.
Here is where the root
meets rock, its secret
self; again, muscular
precision moves
the walls of earth.
Go further, down
an unknown distance-
in the evening, burial
on the sun-less hill.
you see error. Tell me,
what damage is worth
a flower? The blue-mouthed
iris speaks a broken
language, lives a random
life, a squatter's religion.
Here is where the root
meets rock, its secret
self; again, muscular
precision moves
the walls of earth.
Go further, down
an unknown distance-
in the evening, burial
on the sun-less hill.
4/09/2007
Touchstone
You can be a hero; the sun
is not your crown. Neither ant
or stripe-backed swallow
will change their path;
the wind will remain
pathless.
Pebbles pressed into ground,
their quiet existence supports
the weight of kings. Your feet
will not increase their pleasure;
their pleasure is
existence.
From the infant's mouth,
a trumpet sound; not a single
cry from a thousand stars.
The skies are full of glorious
comets that fall
invisibly.
is not your crown. Neither ant
or stripe-backed swallow
will change their path;
the wind will remain
pathless.
Pebbles pressed into ground,
their quiet existence supports
the weight of kings. Your feet
will not increase their pleasure;
their pleasure is
existence.
From the infant's mouth,
a trumpet sound; not a single
cry from a thousand stars.
The skies are full of glorious
comets that fall
invisibly.
4/07/2007
Mouthpieces
Is anyone speaking
to me? Is everyone?
Still, with no sign
of residue, I know
the light has been
here, untouched,
ethereal, lasting.
You will not
convince me
otherwise.
to me? Is everyone?
Still, with no sign
of residue, I know
the light has been
here, untouched,
ethereal, lasting.
You will not
convince me
otherwise.
4/06/2007
Easter
This nation is a field of fire,
whose breadth, measured,
its mountains folding in
like wound around a sword;
a voice of thunder falls upon
this city, whose ears, deafened,
distracted by the crashing shores
becomes a woman in the desert
calmly praying for the dead.
Gather up the whitest wool,
prepare the clouds and earth,
for all that has been shattered,
broken- will witness birth.
whose breadth, measured,
its mountains folding in
like wound around a sword;
a voice of thunder falls upon
this city, whose ears, deafened,
distracted by the crashing shores
becomes a woman in the desert
calmly praying for the dead.
Gather up the whitest wool,
prepare the clouds and earth,
for all that has been shattered,
broken- will witness birth.
3/17/2007
The Last Time I Saw You Sleeping
You slept that night, promised
to die- an offering, offering.
You're two eyes swimming
further, further back like
a perishing flower failing
the vine, a fish desperately
pulling bright-white string
out to terrible, distant seas-
reeled in finally.
Sweet weight, seizure,
slipping away, a ship from
its moor, moves carefully
like sun on a low-lying hill;
this born-again quiet,
this laced, silver film.
How strange, your mouth
lying against a blue, satin pillow-
unlatched and dreaming
and dreaming.
to die- an offering, offering.
You're two eyes swimming
further, further back like
a perishing flower failing
the vine, a fish desperately
pulling bright-white string
out to terrible, distant seas-
reeled in finally.
Sweet weight, seizure,
slipping away, a ship from
its moor, moves carefully
like sun on a low-lying hill;
this born-again quiet,
this laced, silver film.
How strange, your mouth
lying against a blue, satin pillow-
unlatched and dreaming
and dreaming.
3/15/2007
Shine
The book is a critic. "Like you",
he said, " better left un-opened".
You can use a knife to peel
an orange, though easier done
with your teeth; a scraping tool
is death, the irony of discovery.
Living, then, is a hazelnut,
smooth-skinned, unpenetrated,
natural as a grove choked by
brush, where mouse-birds nest
like lightbulbs of a chandelier
powdered in fine, brown dust.
The only freedom is light
outside its room, lost-
no layers or skein, just
wide, thoughtless shining.
he said, " better left un-opened".
You can use a knife to peel
an orange, though easier done
with your teeth; a scraping tool
is death, the irony of discovery.
Living, then, is a hazelnut,
smooth-skinned, unpenetrated,
natural as a grove choked by
brush, where mouse-birds nest
like lightbulbs of a chandelier
powdered in fine, brown dust.
The only freedom is light
outside its room, lost-
no layers or skein, just
wide, thoughtless shining.
3/12/2007
When the Moon Becomes a Mouth
When I was sixteen
all day I'd stay awake,
a venus-trap waiting
for flies, honey-ed
mouth, a young moon
gathering clouds.
In my twenties,
a vibrant angel trolling
for stars; I could never
name the constellations
but I wanted to be one,
a cluster of one.
Thirty four... I gave up
prowling the nightskies,
settled my sights on the uneven
ground, learned to see
in the dark like an owl-
a large, slow bird.
Forty-some years, my ears
grown accustomed to voices,
faint as footsteps walking
in slippers, soft as touching
winter fur. Over and over,
they whispered: "listen closer".
Sixy-five hours draw nearer,
wrinkled wrists, furrowed lines,
worried brow. Weighted down
like fruit on its stem, a depressed
clown, the body is tested,
the mysterious, damaged.
Eighty seven, the moon
becomes a mouth, honey
sets on the tip of my tongue
and flies, so desired when
I was young, gather
excitedly.
all day I'd stay awake,
a venus-trap waiting
for flies, honey-ed
mouth, a young moon
gathering clouds.
In my twenties,
a vibrant angel trolling
for stars; I could never
name the constellations
but I wanted to be one,
a cluster of one.
Thirty four... I gave up
prowling the nightskies,
settled my sights on the uneven
ground, learned to see
in the dark like an owl-
a large, slow bird.
Forty-some years, my ears
grown accustomed to voices,
faint as footsteps walking
in slippers, soft as touching
winter fur. Over and over,
they whispered: "listen closer".
Sixy-five hours draw nearer,
wrinkled wrists, furrowed lines,
worried brow. Weighted down
like fruit on its stem, a depressed
clown, the body is tested,
the mysterious, damaged.
Eighty seven, the moon
becomes a mouth, honey
sets on the tip of my tongue
and flies, so desired when
I was young, gather
excitedly.
3/11/2007
Neither Wood nor Lyre
A bold-blue reflection
when the face turns
white is a sign
of suffering.
In another country
rain beats down
on poplar trees
bleeding purple;
my weary eyes
explain the sallow
skin of fading light.
All morning, sun
a crimson flower
cries blood into
a million hungry
iris; obliterates
the violet canopy-
neither wood
nor lyre will revive
the tattered dying.
when the face turns
white is a sign
of suffering.
In another country
rain beats down
on poplar trees
bleeding purple;
my weary eyes
explain the sallow
skin of fading light.
All morning, sun
a crimson flower
cries blood into
a million hungry
iris; obliterates
the violet canopy-
neither wood
nor lyre will revive
the tattered dying.
3/09/2007
Completely Rimbaud
He wrote about angels,
the rise and rumbling noise
of heavenly highways;
unharnessed the darker
savage shades of injurious
misfortunes to prey upon
the christian children.
Can a man be saved
if he cultivates duplicity?
Did God create the good
and evil, the summer
and its ravaged storms?
He drew a chain, a pirate's
rope and hung the masked
and poisoned souls like flags
he raised them to the sky;
the winds, his deep benevolent
pride snapped and whirling madly
cried: what precious weathervanes!
the rise and rumbling noise
of heavenly highways;
unharnessed the darker
savage shades of injurious
misfortunes to prey upon
the christian children.
Can a man be saved
if he cultivates duplicity?
Did God create the good
and evil, the summer
and its ravaged storms?
He drew a chain, a pirate's
rope and hung the masked
and poisoned souls like flags
he raised them to the sky;
the winds, his deep benevolent
pride snapped and whirling madly
cried: what precious weathervanes!
House Arrest
You were, yourself, a girl
when I was water's bud
drowning in your blood cells-
the way light evaporates
in a cave's cool, dark mouth.
We're separate now, though
often you forget that stones
were made for throwing
not holding things down
in place of gravity.
The temple is a body
disemboweled by its own
violent alchemy; priestess,
you taught me about expulsion,
the cutting away of heart
from its head. You're older now,
I am not far behind, not hidden
inside the silent house, the sleeping
pelvis that hangs like a single,
empty sock on the clothesline.
when I was water's bud
drowning in your blood cells-
the way light evaporates
in a cave's cool, dark mouth.
We're separate now, though
often you forget that stones
were made for throwing
not holding things down
in place of gravity.
The temple is a body
disemboweled by its own
violent alchemy; priestess,
you taught me about expulsion,
the cutting away of heart
from its head. You're older now,
I am not far behind, not hidden
inside the silent house, the sleeping
pelvis that hangs like a single,
empty sock on the clothesline.
Punishable
So the world wraps itself
in everything you knew,
there are seeds more
fallow than your flowering-
punishable.
If all be told, if all
the meaning grew,
then sea and all
its tributary streams
would move, will achingly
spring forth undetoured,
overjoyed, extremed.
Now the river widowed
banks overflow the bridge,
the mastered long-boned
shoulders of earth turned
to gold, to rust, to love...
in an instant, dizzy rush
beautiful becomes a poet.
in everything you knew,
there are seeds more
fallow than your flowering-
punishable.
If all be told, if all
the meaning grew,
then sea and all
its tributary streams
would move, will achingly
spring forth undetoured,
overjoyed, extremed.
Now the river widowed
banks overflow the bridge,
the mastered long-boned
shoulders of earth turned
to gold, to rust, to love...
in an instant, dizzy rush
beautiful becomes a poet.
2/03/2007
Windows of Heaven" (Gen. 7:11; Mal. 3:10).
Angle of blue,
bright, white
birds
drifting;
none
of them
knew
what
a window
was.
bright, white
birds
drifting;
none
of them
knew
what
a window
was.
Before I Go
This is my corner, my long-bearded
quiet place. Does it seem wise to hide
the face when its mouth is moving?
When I say "amen" I am a stranger
to my prayer. It is un-natural to vocalize
good-byes, to seem prepared. I mean...
the last thing you think before you die,
should have been the first. In a round
world, the light folds inward on itself
and disappears. I am not afraid,
there have been deeper, darker woods
than this, less brave who'll follow
and when I press my final kiss,
coveting the dimming, dancing flame,
the sun-soaked ceiling, the ebbing,
twisted veins, what I have given
to the world and all that I have
gained- flows up and outward.
quiet place. Does it seem wise to hide
the face when its mouth is moving?
When I say "amen" I am a stranger
to my prayer. It is un-natural to vocalize
good-byes, to seem prepared. I mean...
the last thing you think before you die,
should have been the first. In a round
world, the light folds inward on itself
and disappears. I am not afraid,
there have been deeper, darker woods
than this, less brave who'll follow
and when I press my final kiss,
coveting the dimming, dancing flame,
the sun-soaked ceiling, the ebbing,
twisted veins, what I have given
to the world and all that I have
gained- flows up and outward.
1/29/2007
Dead Soldier on the Front Page of the LA Times
Whose face
did you steal?
What young woman
died in your head;
what brave soldier
sealed his own grave,
a ruined star
absorbing its debt
without flash
or ambition?
Praise be
the tin-god
whose cup
has been violently
broken.
did you steal?
What young woman
died in your head;
what brave soldier
sealed his own grave,
a ruined star
absorbing its debt
without flash
or ambition?
Praise be
the tin-god
whose cup
has been violently
broken.
1/28/2007
Freedom
Like a bullet
or a bald man,
freedom;
the quick, fastening
wing to sky,
sleepless, seized
hostage speed
the body
to its stunning
departure.
or a bald man,
freedom;
the quick, fastening
wing to sky,
sleepless, seized
hostage speed
the body
to its stunning
departure.
Prodigal Journey
From the west,
the heart speaks,
its voice changing
on the journey
east through desert
into sand and bone.
When it finds
a river, swims
drinks, purifies
it's vision-
confesses
its afflictions
to the faithful salmon,
hunting bear and
black-tipped
cedar cones, then
thunderstorm,
the nervous deer,
the waving fields of corn
recognize the accent
of its origon, its slow
and burning song.
Whose ear abandons
innocence; what leaf
yields and falls
half-mourning,
what home prepares
it's entryways, its rooms
for the returning
of the prodigal?
the heart speaks,
its voice changing
on the journey
east through desert
into sand and bone.
When it finds
a river, swims
drinks, purifies
it's vision-
confesses
its afflictions
to the faithful salmon,
hunting bear and
black-tipped
cedar cones, then
thunderstorm,
the nervous deer,
the waving fields of corn
recognize the accent
of its origon, its slow
and burning song.
Whose ear abandons
innocence; what leaf
yields and falls
half-mourning,
what home prepares
it's entryways, its rooms
for the returning
of the prodigal?
1/25/2007
From the Levee, We Watched
the sculler's boat, carving
razored waters; the wake delayed
behind the oar thrust, streaming
like hair of a submerged girl.
The tenuous nature of wood,
fragile as pod; repelling the weight
of black water catching the hull,
heavy as paste, yet slips
through like an oiled sword.
The muscled-back rower
flexes, a butterfly testing
its shoulders, his arms poised
forward, baiting the rhythm
of pull with his chest,
shoves out, thighs tensing
like bullets, heaves rearward
and pauses, the world
and the rower stand still
for a moment as the boat
glides away.
razored waters; the wake delayed
behind the oar thrust, streaming
like hair of a submerged girl.
The tenuous nature of wood,
fragile as pod; repelling the weight
of black water catching the hull,
heavy as paste, yet slips
through like an oiled sword.
The muscled-back rower
flexes, a butterfly testing
its shoulders, his arms poised
forward, baiting the rhythm
of pull with his chest,
shoves out, thighs tensing
like bullets, heaves rearward
and pauses, the world
and the rower stand still
for a moment as the boat
glides away.
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