From the basement, she examines
her wounds; an old shoe, damp
unread books, the odor of memory
clings to her ribs. She's forgotten
if the moon always hung from
a cord, swings back and forth
when feet upstairs bang
on the boards, or if thunder
leaves cracks in the ceiling,
walls of her heart. She prepares
a letter to her lover, on a bed
she traces with two fingers
words about darkness, heavy
and stilled. Notes of a girl
whose eyes fell out dreaming,
of bones shaken, yet gleaming
swimming through night
like an empty shell; a space
she's saved for believing
surprisingly filled.
5/12/2007
The Door
Sound of the door
closing, dividing
two spaces-
what is outside,
living, what is inside
deciding
which prayer
to recite
for the dead.
From heaven,
a fireline splits
what is clean
and forgiving
from the worried,
forgotten
describing
the difference
between skyand air.
We must survive
to the end
of surviving
and there,
in this intimate
room, this sanctioned
religion of building
a gate or a fjord,
despite our long
held resistance-
with violence
breaks open
our doors.
closing, dividing
two spaces-
what is outside,
living, what is inside
deciding
which prayer
to recite
for the dead.
From heaven,
a fireline splits
what is clean
and forgiving
from the worried,
forgotten
describing
the difference
between skyand air.
We must survive
to the end
of surviving
and there,
in this intimate
room, this sanctioned
religion of building
a gate or a fjord,
despite our long
held resistance-
with violence
breaks open
our doors.
HourGlass
My time is called
borrowed. When
the children play
with sticks and rocks
and the sound of
their voices move
through evening like
glass through honey-
my time is sweetened.
The accurate shine
of light as it falls
in columns not unlike
a castle, the hours
when air becomes
ghostly, glowing buildings
becomes a sure time
to kneel, to pray.
How much time
does heart pump
through its veins? What
sand-filled hourglass
thins when turned
again, then again
and again- the endless
sifting down.
borrowed. When
the children play
with sticks and rocks
and the sound of
their voices move
through evening like
glass through honey-
my time is sweetened.
The accurate shine
of light as it falls
in columns not unlike
a castle, the hours
when air becomes
ghostly, glowing buildings
becomes a sure time
to kneel, to pray.
How much time
does heart pump
through its veins? What
sand-filled hourglass
thins when turned
again, then again
and again- the endless
sifting down.
Mother Land
Her body is a cave,
the shape of a nation.
In all the dark spaces,
she has many wombs,
many children. When
they wander out of
her mouth and return
she recognizes them
by the the light
on their skin, like
the stars she fed
them, like snow
she taught them how
to glisten in a storm.
If not for heaven,
mother, why would we
ever leave you?
the shape of a nation.
In all the dark spaces,
she has many wombs,
many children. When
they wander out of
her mouth and return
she recognizes them
by the the light
on their skin, like
the stars she fed
them, like snow
she taught them how
to glisten in a storm.
If not for heaven,
mother, why would we
ever leave you?
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